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since 1983
an adult organ of persuasion
POETRY AS CURRENCY
Active Image     Oh, it's nice to be nice and all that, but as for myself I'd rather see the bastards pay for it. "Some people love the interior monologue," wrote Ted Berrigan, "I just like to beat people up." Anger is such a great feeling. I would hate to see it lost to management. It's management that makes us angry in the first place. If management didn't unemploy us, de-benefit us, and cooly downsize us, we'd be nice as pie, but there's the rub, Barrabas. You can turn the other cheek, but when they've picked your pockets clean and are starting to go through your underwear, you may be forgiven for taking a swing.
     Without anger, we'd still be living in colonies or on plantations picking up after the masters, or working eighteen hours in unsafe factories along with our half-blind children, or drinking from color-coded fountains, or answering every question with "Yes, Sir."
     The English king would have loved anger management workshops for the good citizens of Boston in 1773.  Instead of dumping tea in the harbor, they'd have sipped it with a pinkey in the air. And wasn't it rude for the people of France to interrupt the royals during dinner? Couldn't they have waited until after desert?
     Of course, there is anger and anger. There is divine wrath, which is God's way of answering an argument He can't win, there is the wrath of rulers when the ruled disobey, and then there is the people's anger, righteous and unrighteous, which sometimes looks like senseless fury or blind homicidal rage. The scale is the phenomenon, Poincare said.
     Sure, it's bad manners to lose your cool, and you might end up in the pokey, which is run by cold-as-cucumber justice. You may even meet a company CEO in there, the rare victim of impartial Law, and you can discuss calmly your differences. He stole millions to keep the cool lifestyle he was accustomed to, while your angry parents beat you senseless, the priest molested you, and the economy he ruined spit you out. Oh, and he had you arrested when you took a walk through his hood. Now you can workshop your respective angers. C'est la vie. That's the breaks.
     Well, there's never been a better time then now for Anger Management. The people are stewing like they haven't in a long time: the mullahs of Iran beat up protesting students, the cynics are turning language inside out, and the rich are sewing extra pockets on their long coats. If we don't learn some self-control and manners soon, we too wll end up in the streets, throwing rocks. And that's just plain, old, unmanaged anger.


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New Orleans Safe House by Mel Chin
 
Excerpt from Seven Dead Kafkas and a Fork
Each audience member eyelid drinks a cup full of rain till blue tinged bulge—page blur. That is where there is only appetite. Gesturing toward a separate way, enter a funny little man at the cornea point yet to be introduced, of course, buried in a blood tweed suit, we call him as named before, the final sayer. He raises his right hand high above his head as if holding an object rare and majestic, perhaps to yank at an eyelash. With eyes wide open (as yours) he breaks out into shrill song.

 
The Final Sayer

In this fork is an embedded list of names.
The path so to speak from which the paw
broke away from itself and became this disconnected claw.


A Fork

The labile
fugitive
claw 

its levity
atony

of keratins
pincers
in disquiet

incised
on the body

he lifts

black jacket
tiny
 

flitting
black eyes

pesky
gaunt

Pierrot
of stark
cutlery
 
vintage
tarsus

desacralized
girt

by thick
cords

I am
ingest
 
demurred
refused

to eat
tubercle
bacilli

mephitic
place

slated shy
of scope.
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Collage by Simone Ellis
 The Final Sayer

It was not
Herman, son
of Jacob.  
As has been the popular account.

 
Teheran Revolution: Remembering American History
In 2009 the world watches crowds in the streets of Teheran. Reporters searching for perspective remind us that it’s been thirty years—since the revolution of 1978-1979--since so many people have taken to the streets of Teheran. At the same time some American politicians have apparently developed amnesia about Persian-American history. There are calls, by some, for America to talk loudly about supporting democracy in Iran, forgetting that our history in Iran means Iranians would see such talk as hypocritical.

No one in America, not even President Obama, speaks frankly about the details of America’s history in Iran or why that history has left such an abiding rage towards America in Iran.

I was fortunate enough to be on the streets of Teheran in the fall of 1978, one of the few Americans who witnessed firsthand the popular rage that lead to the birth of the Islamic Republic of Iran. I walked the length of what was then called Pahlavi Street, crossing Teheran from North to South, on November 4, 1978. One year later American embassy officials were seized as hostages, on November 4, 1979. They were taken hostage in 1979 to commemorate the events that happened one year earlier. While the world remembers the taking of the hostages at the end of the Iranian revolution I recall a day of rage, a year earlier.

I was set to leave Teheran on a train towards the Afghan border. To catch the train I had to make my way across Teheran--North to South--on the longest boulevard in the Middle East, on Pahlavi Street; today’s Valiasr Street. It’s the one you see on your TV screens these days, the one filled with 500,000 Iranians protesting a rigged election. On November 4, 1978 it was so clogged with traffic that I gave up on a taxi and began to walk.

Pahlavi Street was lined with banks, offices, cinemas, and liquor stores: on November 4, protests lead to riots and every cinema hall and liquor store was looted or burned, and so were most banks. The police and firemen sent to stop the protestors were driven off by the size of the crowd that gathered; driven off by people’s willingness to risk their lives, and by their focused rage.

The revolution began early in 1978, just after President Jimmy Carter made a visit to Iran. Large color photographs depicting the Shah and Carter arm in arm had been pasted on buildings and signboards in January. They made it look  like the Shah was trumpeting his American support.  In the fall of 1978 these posters were still there: peeling, defaced, painted over, but still there; reminders at every corner of America’s history in Iran from 1953 to 1978.    

From a distance I spotted pillars of smoke rising in the sky. Helicopters hovered over the city center. The sound of sporadic gunfire grew louder. Walking closer I realized that to reach the station I had no option except to go through the center of the unrest.

Soon there were gutted buildings and traffic disappeared. I left the sidewalk and joined the crowds in the center of the street streaming towards the unrest. A few people looked at me, most just with curiosity.

A group of young men came up. We began to chat as we strolled—in the shade of the tall poplars that line the boulevard—toward the sound of gunfire. They wanted to know where I was going. I explained about the train. They agreed that there was no choice but to walk through the city center. I asked why people were attacking cinemas, banks and liquor stores. These things were un-Islamic, they said, and most were owned by the Shah or his friends. The people of Iran were angry because the Shah had stolen the national wealth in the form of oil, sold it to the Americans, and then used it to buy weapons to oppress the people of Iran. They were furious at this evil loop and determined to end it. I explained that many American’s were angry that our government supported the Shah.

This—what shall I call it, this laying of our cards on the table—took place in a few minutes and then the one guy who spoke English asked what was an awkward question that day.

 “Where are you from?”

We were passing by a poster of the Shah and Carter. I grabbed him, turned him around with me, held him in the same embrace that Jimmy held the Shah in, and began to walk backwards with him down Pahalvi Street. In a spontaneous performance for my new friends, I danced a little jig and sang a ditty inspired by God Bless America in a thick southern accent.
 “I am from America.
 Me and Jimmy Carter
 We is best buddies
We all just love the Shah!”
To my new friends’ credit they laughed, even as some of them looked around nervously. As I turned back and rejoined the line of young men, the translator spoke to me in French, “Do you speak French?” he asked.

I replied in broken French, “Yes, a little.”

“Good, my American friend. Today it is better for you, and us, if you do not speak English. We will take you to the train station. If someone asks, say you are French. We believe you when you say that many Americans are friends of the people of Iran. And many Persians are also friends of Americans no matter what crazy things our governments do. But many have been hurt by the Shah and they blame America, even they blame every American.”

Making our way south we stopped to watch a crowd lobbing rocks through the plate glass windows of a movie theater, then to watch a crowd breaking bottles in a liquor store. We stood at the edge of a crowd as it mounted an attack on a bank.

There were several times when my Persian friends hustled me away from rampaging mobs we saw on the street. I caught a glimpse of recognition from the leader of one such group and then instant rage in his eyes before I was hustled off in another direction.

After I saw that glance of incendiary rage a few times I asked, why.

“What has America, what has my government done to make people this angry?”

From that moment they were on a mission. They showed me.

They found a police car in the middle of the street on fire and asked, “You see that police car? Where was it made?”

“It’s a Chevrolet,” I said. It looked like standard issue white squad car from LAPD. “It was probably made in the USA,” I concluded.

 They continued their strange hunt in the streets of riot torn Teheran. They found a shot gun left in the street, beside the uniform of the policeman who had melted into the crowds.

They gathered around the shotgun in a circle, at the center of an intersection. A frenzied group was attacking buildings a block away. My protectors enveloped me within a circle of their own bodies. The translator, in the center with me picked up the gun as the rest of our gang blocked view from every direction. He pointed at the tiny script on the black metal near the stock of the shotgun.

“Read that, what does it say,” he said in English.

“It says, REMINGTON, Made in USA.”

We moved on till the way was blocked by a passing mob. We squatted behind a dumpster that had been pulled into the street, waiting for them to pass. One guy, who could not speak English, asked for a translation of a story about his sister. She was a university student who had been arrested by the Shah’s secret police, Savak. While in their custody she was tortured with an electric cattle prod. He cried as he tried to tell me where they had stuck the cattle prod. And then the question was asked again, in closing. “Where was that cattle prod made? Do you know?” We were holding hands as that question hung there. I had the sense to look into his eyes, and remain silent.

Before they left me at the train station they asked me not to forget what I had seen, and in parting they told me to study what my government had done, more carefully, beginning with how the CIA overthrew Iran’s elected government in 1953. They were convinced, and they convinced me, that America and Britain interfered in Iran’s affairs to obtain cheap oil without any concern for the development of democracy there.

Persian anger with the Shah in 1978 was explosive but it was inextricably interwoven with anger at America because our government sold him the tools used to oppress the people of Iran. That was the history I was shown on the streets of Teheran. It wasn’t abstract. Young men who probably saved my life pointed this out to me. Anyone who underestimates Persian rage at what the Government of the United States did in Iran from 1953 to 1979 is a fool. It is this history, and Persian rage about it, that dictates why our government must take every possible step to keep our fingerprints off of what is unfolding in Iran.

Americans who feel the urge to tell Iranians what they should do, will better serve democracy in Iran, and in America if they would reflect sincerely on our history in Iran as we watch Iranians decide their own future. There may come a time when the friendship that flourishes between Persians and Americans can flourish between our two states. But that time is not now. Our credentials as defenders of democracy, at least in Iran, have been sullied by our own actions. Iranians have not forgotten that and Americans would be foolish to do so.

Thomas Laird is a journalist and author who was based in Asia for thirty years. He now divides his time between Asia and New Orleans. His most recent book, The Story of Tibet: Conversations with the Dalai Lama, has been published in fourteen languages.
 
Inventing the Jew by Andrei Oisteanu

Inventing the Jew Inventing the Jew: Antisemitic Stereotypes in Romanian and Other Central-East European Cultures

by Andrei Oisteanu
Foreword by Moshe Idel, translated by Mirela Adascalitei
University of Nebraska Press, 2009, 
    http://www.nebraskapress.unl.edu/product/Inventing-the-Jew,674083.aspx




Andrei Oisteanu and Lord Jacob Rothschild in London, June 10, 2009

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Exquisite Corpse is proud to see this major work by one of our most cherished contributors, translated into English. We have published Andrei Oisteanu’s groundbreaking essays on hallucinogens and the Romanian avantgarde. See our review.

 
Twittering the Dead: Advice From Oracles
Without dying, the closest anyone will ever get to death is life. Life is the first and most important step towards not-life.

Gods have been known to tear out one of their eyes for wisdom. Here the pupil has reached into the warm face of a poem and torn out the line. Though the body is dead, the head survives. We are the furthest from death in the breath/breadth of poetry. Life is not the end; and even if it were we'd burn it into a new bird, a brighter only child.

(Some of these poets are at a very much alive stage of Oraclehood. This is fine, of course. An American like Steven Spielberg can be knighted by the Queen of England. A poet like Mark Doty need not be a ghost to give wisdom.)

For a list Oracles and Inquistors, click here

A TWITTERING OF POETS
 Active Image
Active ImageWhy do some words make me feel uncomfortable?
 
“Rub her coke.”
 Active Image
 Active ImageWhy didn’t I talk to my father?

“I suffocate and I write I write/I write to please them”
 Active Image
Active ImageI need an image for a story. Can you give me one?

“Meaningless. The main thing is you’re going to get married.”

Active ImageShould I marry for money?

“To the investigation of the Mercure de France, the Journal des gens de Maison replies with a counter-investigation of employers, and we are told some fine tales!”
 Active Image
 Active ImageWhat is the worst part about being a woman?

“Because it is foolish.  It is very foolish to be wrong.”
Read more...
 
Untitled (true)

by Steve Dolan


My experiences were far greater then I realized at the time.

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Four Poems

by Ethan S. Bull

I have been a long time in this story of where I am.
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Five Poems

by Adam Pettet

But what the fuck would a man with a silly name like Ouspensky fuckin know huh.
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Two Stories

by Sharon Mesmer

Read Sharon Mesmer's stories A Promise of Carapace and Ruin

Excerpt from...
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go to church

by Mrs. Julian A. (Laura) Semilian

In today's US, religion is one of the few fields
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In the Driveway

by Lisa Carl

in the driveway

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Brief Reviews

by Various

Various reviewers on books that exhibit an independence of spirit. Each testifies to the range of fine writing being written and published in this imperiled day.
>> more

Target Shooter

by Simone Ellis


    First thought I had today, was that I would
    Buy a gun
    Tomorrow
    I’ve picked out a tree on the hillside
    Outside my window
    Under which to shoot...
>> more

from: triangulating happiness

by Nicholas Courage

goddammit look at
the crowd, tights and miniskirts,
girl jeans on bored boys - when
did the literary life get so popular?
flash art tattoos & pulitzer poets

>> more

When You Don't Know Who's Listening: from David Dixon's Days of Napster files

by David Dixon

I've amassed many, many hours of these recordings, which provide endless voyeuristic entertainment. 
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Sal Salasin's Blues in English And Spanish

by Sal Salasin

“Hello,” she lied.
She was dressed in black with
enough piercing to swing a compass needle
at five paces, some
real Mexican prison tatoos
and a voracious appetite for an astonishing variety of
extremely dangerous drugs.

Cariño, tu...
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Sheherezade’s Ventriloquists

by Tegan Raleigh

Although many classics have undergone profound metamorphoses over time, nothing compares to the variety of the Nights.
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10 Hindi Poets, translated and introduced by Arlene Zide

by Arlene Zide

I was a true mustard seed
He, just a huge mountain of lies

He talked for hours
about gunpowder
so when I handed him a match

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New Jersey and Me

by Larry Smith

Big Ass Philia, the Greek for which we won't google, is a New Jersey specialty, sort of like Philly cheese steak. You've never had one like the one Larry Smith uncovered!
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Boogie Music

by David Parker, Jr.

My son prefers to be called “X” these days.
>> more

Three Poems

by Sheema Kalbasi

Nothing is all I am
Nothing overloading nothing
Closing the doors,
Opening an extra into an empty space,
Nothing ensues but a further war.
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New Orleans: Black and White, with Brown Water All Over

by James Nolan

The summer before Katrina, New Orleans was spinning out of control in a boozy maelstrom of guns and drugs, murder and corruption. Flush with tourist dollars, the sweltering city felt overripe and frantic, like some blowzy hooker who, late into besotted middle-age, sinks to new...
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Francis Jammes, introduced and translated by Janine Canan

by Janine Canan


One hundred years ago in the French Pyrenees, a poet wrote lyrics of extraordinarily pure feeling. His name was Francis Jammes. His joyful, however sorrowful, poems express an innocence and simplicity as natural as the song of a bird or the love of a child.

>> more

Report from the Future: Brian's Girl

by Garrett Cook

The Corpse has been receiving dispatches from the Future! Since we have no category for it, because we are, like Tristan Tzara, "against the future," we placed this dispatch in our Bureau sections, making the Future a place. Prepare for Brian's Girl! From Garrett Cook! She's...
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You Were A Friend of Mine

by Philip Good

Who took us into a lower east side squat
Who took us into Steal This Radio
where Bernadette played whale songs
>> more

ONE by Ed Baker

by Ed Baker

ONE

WATCHINGTHINKINGGOING  COMINGSHYISBYPRODUCTOFJUST

>> more
American Dementia: Castro’s Kitchen

by Jim Lopez


Please God, be on my side today.  Napalm my face.  Spray me down with Malathion.  Let a rabid mole eat through my brain.  Dip my balls in a pot of battery acid.  Fart in my mouth.  Shove a canister of Agent Orange up my ass.  Canker me with erratic skin...
>> more

Eliade, from Opium And Cannabis to Amphetamines*

by Andrei Oisteanu

Andrei Oisteanu's groundbreaking study on Mircea Eliade and drugs
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Smugglers Train

by Eddie Woods

Kohitoftun is the only real village one sees before Mirjawa, the border town where you must change trains for the short and comparatively expensive ride into Zahedan.
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The Glass Womb

by Scott Hughes

This jar contained something different
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How Everyone Came to Put on Their Coat

by Willie Smith

Never mind how I got it. Maybe I helped pay my way through college working part time as a museum guard. Lifted it one night from a case. Or I attended an underground auction where, for a price, such objects can be had.
>> more

New Orleans: Katrina Postcard

by Matt Roberts

I come home one night from the bar, on my bicycle, to find what sounds like a garbled message on my voice messaging service to be what is possibly the neighbors next door arguing. I listen for a little bit, unsure of whether or not this is a recording on my phone of an earlier discussion or the...
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It's Not the End of the World! Three Works

by David Franks

Today I talked to trained professionals about my penis.

The last one said, “Oh David, it’s not the end of the world!”
>> more

Varanasi, India (his)

by Adrian Sangeorzan


Here life and death wear the same shari
Through which you can see the ribs of time
As through the bares of a cage.

>> more

Megan Volpert's freshly alphabetized pets!

by Megan Volpert

any secrets can keep to infinity
as long as they aren't my own

>> more

70TH BIRTHDAY POEM

by A. D. Winans

70TH BIRTHDAY POEM

70 years old feeling like a samurai
With a dull bladed sword singing
Into the blade of night

Somewhere beyond the horizon
Sailors buried at sea
Rise in ghostly procession

Skeletons sharing their secret...
>> more

& Rats Dance

by Elizabeth Kate Switaj

 weep for marbled red
     weep for ivory
                    weep for eleph/ants/

>> more

Six Works

by Mary Kate Azcuy

What do you say

when you’ve got

two pages left

in the journal

and dread

when you’ve got

the plane crashing?


>> more
Dead Drop: Special to the Corpse from the Anti-Oedipal Front

by D. H. Kerby


GRUNT FATHERS NO FATHERS

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Da DMT Beyond Pipe-Catcher and The Skin-Dust

by by Jim Lopez


Special to the Corpse from Jim Lopez, trained as a philosophical theologian with an emphasis in the history of the Surrealist Movement.


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