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Lucy In the Sky With Darrell: Actualism Part 4

Lucy In the Sky With Darrell
Part 4


The Story of Actualism

In Iowa City

Introduction


 


When Iowa City Actualism was blooming in the 1970s, we wrote a lot of collaboration poems, and I made it a practice to save the ones I was involved in. I put the collab folders in a storage box, and then I forgot about them for three decades. Just two days ago, I found the folders, which contained over 220 pages of work. Some of them were unsigned, but at least 194 pages bore the names or initials of two or more people--48 people in all. Here is a child’s garden of Actualism.



Notes on reading:


Each poem is preceded by a tilde. This enables the reader to jump from poem to poem by doing a search for tildes. It also helps to know for certain that a specific line is the title.






Each writer’s identifying letters (usually initials) are preceded by an accent mark. This enables the reader to skip to the collaborations in which a specific writer participates by searching for the accent mark followed by the two identification letters--thus, searching for 'DG would take you to poems in which Darrell Gray participated.


In some of the collaborations each section is attributed to the person who wrote it. In most of the collaborations, however, authorship is attributed at the end to all the authors together.


The first poem, “Party Poem,” has the most known collaborators--11. It is dedicated to the Writers Workshop.


The last poem, “Marathon Collaboration Poem,” is the longest--31 pages. It was written by many during the 2nd Poetry Marathon, but signed by none.








Index of Abbreviations


 


 

Each person has a two-letter abbreviation representing their full name.


 


 

AB Al Buck

AC Ann Conner

AH Anselm Hollo

AK Allan Kornblum

AT Audrey Teeter

AW Alan Willis

BA Bruce _____

BR Barb Raaz

BS Barbara Sablov

CK Cinda Kornblum

CM Chuck Miller

CW Chris Woeffels

DA David Gitin

DF Dale McFarland

DG Darrell Gray

DJ Donald Justice

DM Dave Morice

DO Dave Odegard

GF Geoffrey Ford

GM George Mattingly

GS G.P. Skratz

HI Hillary _____

JA Janet _____

JB John Birkbeck

JD Jim Dorka

JI Jim Bateman

JL Judy Lawson

JM Jim Mulac

JS John Sjoberg

KA Kay Amert

KF Kathy Fetter

LC Leander Cyrus

LD Linda Dorff

LG _____ _____

LW Lynn Willard

MA Margaret Manos

MC Mark Cohen

MK Michelle Kulefsky

MM Michele Morice

MP Many People (unsigned)

MS Morty Sklar

NR Neil Ruddy

PC Pat Casteel

PI Paul Ingram

PL Phil Lemke

RD Ray DiPalma

SA Sally Redfern

SL Steve Levine

ST Steve Toth

SW Scott Wright






























~ PARTY POEM


(for The Writers’ Workshop)


[Ten people wrote this poem: 'DM 'MS 'CM 'SW 'JM 'JS 'AK 'ST 'LG 'DG. Each section has the individual author’s abbreviation listed at the end.]



1


music

inspires

the floor

shakes


'DM



2


four or five words


'MS



3


familiar plants,

animals


'CM



4


potted

plastic


'SW



5


plantit


'DM



6


hiya, Cinth!

wisteria?


'JM



7


one more time

the kids in the neighborhood

hey hey

that’s a great choice

one of my favorites

ships on the oceane


'MS



8


color it orange

&

leave all that snow


'JS



9


there is a chain hook between the

cushions of this largte couch.

i call it The Great Chain of Being.

we unhook the chain before opening

frozen orange juice.

good morning little schoolgirl.

i’m a couch


'AK



10


boo!


'ST



11


THE TRAVELS OF OZONE


Oh! Zone!


'SW



12


melting fish bones


TOGETHER


'CM



13


i’m an easy bruiser


'LG



14


I wanna hold your foot,

I wanna be your leg,

I wanna look at the table.


'JM


15


a sunlit day

it’s almost may

and yet there’s snow

outside uh-oh


'DM



16


i woke up this morning

and it was this afternoon

oh i woke up this morning

mama, and it was this awful moon

so the next time ya see me coming

blah dah dah dah dah dah dah


'MS



17


scot located

them

a copy of the original, in

other words

a shadow of a former delusion

multilithed

easier than the original

not really huge, but

sewn up. Come out and visit.


'MS



18


rain

check

book


'DG



19


I used to think the 21st Century

would be great--vast unemployment,

beautiful women, fantastic highways and buildings,

amazing drugs and record albums. Billions of geniuses

masterfully solving the subtlest impossibilities. That’s

what it felt like, being 27 and stoned with my friends.


'JM



20


the city

words a

are for

looking

are for

pages a

the home


'DM



21


Al Buck did

Al Buck didn’t

but Al Buck


'MS



23


monkeys express

a paw


here

you are superior


'AK



24


Twenty four.


Baked bird.

Unleashed

lettaces race

through time’s

hard hat.


The vee’s

crease.


'SW



26


anti-versary


'DG



27


under the Philadelphia Cream Cheese

the hard brown table

looked like

the Phillies

How’s the ballgame

How’s the potato chip dip?


'DM



28


one two three four five

six seven eight nine ten! shouted

the man in mission control

as he tried to make

the rocket

return to the launchpad.


'DM



29


“as bats fly

caves grow”


--Spelunker’s Guidebook


'DM



30


what time is it?


gold.



'AK



31


What is “it?”


Things, generally.



'SW



32


“OUT TO SPACE”


out to lunch

out of breath

out of line

out there

out with you!

ow t

burnt out

out house

make out

outlanders

outlandish

out of your head

out of gas

in side out


'MS



33


The Well-Fed Bi-ped


bi-ped

bi-pass

biluminous

bitaxatious

binary

blahbi


'MS



34


after the cat walked in

the human collage

walked out


'DM



35


comma, period.



'SW



[signed:]


Scott Wright Sirs. bros. sisters.

Glandfather Kornblum

Stepson Gray

Mormon Sklar

Dave Morose

~ WORKSHOP COURSE LIST FOR NEXT YEAR



8:282 Rhyme Workshop

8:283 Rhythm Workshop

8:285 Onomatopoeia: When to use it (Seminar)

8:286 Beginning Linebreaks

8:286b Advanced Linebreaks

8:287 Iambs, Anapests, and Dactyls: Comparative Study

8:289 Caesuras: Now and Then (Historical Study)

8:290 The Literary Origins of Variable Feet Traced to Their Roots

8:291 Poetic Anatomy

8:292 The Economic Implications of Free Verse

8:293 The Psychology of the Caesura and the Collective Unconscious

8:294 Stability Theory in Fluid Rhyme Schemes

8:295 Applied Imagery

8:296 Literary Genes and Chromosomes

8:297 Introduction to Doggerel

8:298 Intermediate Doggerel

8:300 Natural Hazards of Poetry & Doggerel