| As 
                a local New Orleanian, I am documenting the outward visual expressions, 
                often signage, of the colorful, indigenous culture of the city 
                of New Orleans, one of the most unique cities in America. New Orleans, or "the Big Easy"is 
                a very old American city, settled in 1718. It has had many influences, 
                but is now predominately African-American (65%). It is a cultural 
                crossroads with a legacy of being a European colonial settlement 
                and a port city trading in everything from cotton, to sugar, to 
                slaves, to culture. This amalgam of cultures has helped the city 
                organically mutate itself into the cultural anachronism that it 
                remains. It is one of the only American cities that retain the 
                "old world feel."
 New Orleans is a "throne of 
                voodoo" which, though practiced by a minority, still lingers 
                like sub-tropical steam which envelopes the spirituality of the 
                city. New Orleans is known as the birthplace of Jazz. With elements 
                of original genius, spontaneity, and creativity, Jazz helped "center"the 
                prudish, stuffy white European culture that was so prevalent at 
                the turn of the century. Jazz spawned a progressive cultural catharsis 
                that is still resonating throughout the world.
 New Orleans is notorious for its 
                excesses, with 24-hr. Jazz and liquor and a unique style of "good 
                living." It is a city preoccupied with food and drink and 
                all things "corporeal". There is a certain "traditional 
                wildness" or lawlessness that applies and that makes just 
                about anything possible. New Orleans has a Colonial Caribbean/Creole 
                hangover, demonstrated in vibrant colors, an "imperfectly 
                vertical" decaying aesthetic, and a certain "nihilistic 
                European nonchalance".
 New Orleans is a subtle bouquet, of excess 
                and decay, the sweetest mire, or to quote Charles Bukowski from 
                his poem, Young in New Orleans. "It is a
 celebration not of something to do, but only know". New Orleans 
                is the
 "House of the Rising Sun". Again, from Bukowski, "it 
                leaves you alone"; it
 lets you be what you are.
 Yet, within the life of the city 
                there is also the influence of chaos or entropy. Chaos lingers 
                close to the surface. The city is a font for chaos; it has a symbiotic 
                relationship with it, coexisting together in a dark beautiful 
                dance.
 These photographs depict a "visual 
                jazz" made tangible and born from the same elements: poverty, 
                prejudice, intolerance, and suffering, with a dash of hope, talent, 
                vision and ecstasy. One physical, one ethereal. I think there 
                is a parallel between these "messages" and Jazz music, 
                which are both manifestations of the same creative energy numinating 
                from the citys rich psychical undercurrent.
 The title is pertinent, in that 
                I took most of these pictures from my car while traversing the 
                citys many unique neighborhoods. These "messages" 
                definitely exist within their own context of "urban/folk 
                art," or "urban anomalies." It is unfortunate that, 
                as folk art--and because the city is in a constant state of flux, 
                economic growth, and so called "progress"--these classic 
                and often abstract landmarks are in danger of extinction from 
                urban sprawl, gentrification, and the dreaded "yuppie scourge."
 I would also like to add that by 
                highlighting errors or anomalies this project is not meant to 
                demean. It is meant to elevate and celebrate the freestyle tenacity 
                and wholehearted expressiveness of these beautiful multi-racial, 
                multi-cultural peoples and their "messages."
 Perhaps some of the stranger "messages" 
                are some sort of psychic fallout, or debris from the Voodoo tradition, 
                as if the city did not already have enough refuse. They are messages 
                mirrored from the subconscious, created then left forgotten. Whatever 
                your view, these urban anomalies are evidence of an older tradition 
                that has mutated to fit the urban environment. These images from 
                the street are like an urban gallery of anonymous artists, where 
                you never know what you will find. Like a buncha' vines , creepin.
 I guess it is human nature to want to 
                fill in open space with inventions. Just remember the devil is 
                in the details.
     Ian 
                is looking for a publisher and has limited edition original prints 
                available. Please click on 'Author's Links' above for contact 
                info.  | Click 
                on each image for a larger view
  
  
  
  
  
  
  
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